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The Burial Of the Count Of Orgaz & Other Poems, by Pablo Picasso
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Pablo Picasso is arguably the most famous and influential artist of the twentieth century. What few in the English speaking world know is that in 1935, at age 54, an emotional crisis caused Picasso to halt all painting and devote himself entirely to poetry. Even after resuming his visual work, Picasso continued to write, in a characteristic torrent, until 1959, leaving a body of prose poems that André Breton praised as “an intimate journal, both of the feelings and the senses, such as has never been kept before.” Similarly struck by the poems' originality, Michel Leiris wrote, “If we must compare him, despite his fierce singularity, in order to try and situate him on the literary map, I see only James Joyce.” Near the end of his life, Picasso himself was quoted as having “told a friend that long after his death his writing would gain recognition and encyclopedias would say: 'Picasso, Pablo Ruiz--Spanish poet who dabbled in painting, drawing and sculpture.'“ For the past five years, poets Jerome Rothenberg and Pierre Joris have overseen a project to translate the majority of this writing into English for the first time. Working from Picasso's original Spanish and French (he wrote in both languages), they enlisted the help of over a dozen contemporary poets in order to mark, as they note in their introduction, “Picasso's entry into our own time.” This is indeed a new Picasso for most of us, or rather, a renewed Picasso: the poems are as protean, erotic, scatological and experimental in form as his visual art has always been described. But amid the ubiquitous posters, t-shirts and tchotchkes, how many of us have truly felt the impact of Picasso's visual work as powerfully as it was perceived in the first half of the twentieth century? The poems give us a twenty-first-century Picasso, free of cliché. Perhaps they will even spark a revival of interest in his “dabblings.”
- Sales Rank: #1106786 in Books
- Published on: 2004-05-02
- Original language: English
- Number of items: 1
- Dimensions: 7.75" h x 5.75" w x .75" l, .0 pounds
- Binding: Paperback
- 352 pages
About the Author
Michel Leiris (1901 90) was one of the most influential French intellectuals and writers of the twentieth century and the author of Manhood.
Most helpful customer reviews
3 of 3 people found the following review helpful.
picasso was an amazing poet
By Stanley Gemmell
From his sense of slippage, where each word organically leads to the next as if a natural as opposed to surreal thread were leading his muse... to the concrete and colorful imagery deployed, ...Count of Orgaz is an amazing product. Like many other painters before and since, there is a different sensibility from that of the musician or sound poet: the poem skips many layers of intentionality or meaning, seeming to reconvene with these when convenient or needed. The 20th century sense of anguish is certainly present in these poems, which make them a dark read, but so too is a prevaling sense of hope, honesty, fun and sensual richness. The man was a survivor and here, his artistry depicts that process in an intimate, not usually seen light. - Stanley Gemmell
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